Sunday, September 16, 2012

The Philip Glass Festival


Deborah Sommers, Executive Director at the Modlin Center for the Arts offers an introduction to and overview of the Philip Glass Celebration.

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Philip Glass’ 75th birthday year is being celebrated worldwide in a host of ways. Even his larger work such as his operas have been remounted and are touring internationally.  At the Modlin Center for the Arts, we decided to present a festival of events to mark this occasion. Since Glass, however, is such a prolific composer, choosing what to present was not an easy task.

Besides being Philip Glass’s 75th birthday year, the Modlin Center is hosting this celebration for a number of reasons. Philip Glass’ compositions not only reflect his own creativity and pioneering work, which have influenced many artists and composers, but also his collaborative efforts which extend across disciplines and genres including music, dance, film, visual arts, poetry, and more. Collaboration is a key element in much of Glass’ work. Therefore, a vast majority of his compositions were written in conjunction with, and to be performed with, other art forms. Since Glass’ work extends into other genres and film, it is widely recognizable. Therefore, it was a great opportunity to work with such a talented and creative living composer, and to share this occasion with him.

Personally, the idea of creating a Glass celebration intrigued me as I have followed his work for many years.  I have been directly influenced by his compositions as an artistic director working in the performing arts, and in developing my own skills as an artist. I have worked with many who were also directly influenced by Philip Glass, and who have created work based on his music. In addition, this is a great opportunity for me to create a celebration of events that will allow us to explore and share with Philip Glass -- his thoughts and experiences on the idea of creativity and collaboration.

Through Philip Glass’ operas, symphonies, compositions for his own Philip Glass Ensemble, and his wide-ranging collaborations with other artists ranging from Twyla Tharp to Allen Ginsberg, Woody Allen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times. His many associations, both personally and professionally, with leading rock, pop, and world music artists, date back to the 1960s. Including the beginning of his collaborative relationship with artist Robert Wilson. Indeed, Glass is the first composer to simultaneously win a wide, multi-generational audience in the opera houses, concert halls, within the dance world, in film, and in popular music.
In the past 25 years, Glass has composed more than 20 operas; eight symphonies; two piano concertos and concertos for violin, piano, timpani, and saxophone quartet and orchestra; soundtracks to films ranging from new scores for the stylized classics of Jean Cocteau to Errol Morris’s documentary about former defense secretary Robert McNamara; string quartets; and a growing body of work for solo piano and organ. He has collaborated with Paul Simon, Linda Ronstadt, Yo-Yo Ma, and Doris Lessing, among many others. He presents lectures, workshops, and solo keyboard performances around the world, and continues to appear regularly with the Philip Glass Ensemble.
We will be showing three films, which will be accompanied by an introduction from the University’s Department of Music faculty. The films were chosen because they are either about Philip Glass or are excellent examples of his film scores that reflect the idea of creativity and collaboration.  In addition, Philip Glass will be speaking about his unique approach to creation in our Artist Voices series entitled “Collaboration and the Creative Process.” Glass will also perform in concert with the violinist Timothy Fain.  University of Richmond’s Grammy-winning ensemble-in-residence, eighth blackbird, will perform an evening concert of works by Glass and composers influenced by Glass. With all of these events, we have created many wonderful opportunities for students from all schools and the community to discuss these ideas and concepts with Glass.

The Philip Glass Festival will provide a unique opportunity to meet a composer who has had a profound artistic impact, and who has had many interesting and ground-breaking collaborations.  We are delighted that Phillip Glass was able to take the time from his busy celebration year to come to the Modlin Center and to share in a number of events with the University of Richmond and with the community. 
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The Philip Glass Festival begins Sunday, September 16 at 3pm in Camp Concert Hall with the film Glass: A Portrait of Philip in Twelve Parts, and will continue through October 5.  The festival will include films, lectures, a ModlinArts Artist Voices Series presentation with Philip Glass and Philip Glass and Tim Fain in concert. Visit modlin.richmond.edu for a full schedule of events.  



 About Deborah Sommers
As Executive Director of the Modlin Center for the Arts, Deborah Sommers is responsible for the more than 45-event ModlinArts Series, four main stage productions by the University's Theatre and Dance department and the University Players and Dancers, 30 musical performances in the Department of Music's Free Concert Series, plus community events and performances throughout the year. Sommers also directs and teaches the University of Richmond's Arts Management program, and works with faculty across the disciplines and schools to design academic components that coordinate with the Modlin Center's artistic programming.

Prior to joining the Modlin Center, Sommers was director of programming at Fairfield University's Quick Center for the Arts. At the Quick Center, Sommers produced an 80-event season of national and international artists that attracted patrons from across the New York area. She also presented a strong K–12 outreach program reaching 14,000 students with long- and short-term artist residencies in public schools, supervised an internship program for university students, and oversaw a children's theatre summer camp and adult summer festival chorus.

Before joining the Quick Center, Sommers was company manager/administrator of the Performing Arts Center at the State University of New York at Purchase, which presented a 60-event season, presenting and coordinating the professional season programming, artists, and residencies. She also worked for a a number of festivals including the PepsiCo Summerfare Festival, and throughout the years has been a consultant in the performing arts field and managed some artists. 

A graduate of Hunter College with a bachelor's degree in music and education and film, Sommers subsequently earned both an M.B.A. and Doctor of Jurisprudence from Pace University. She is admitted to the New York and Connecticut bars. Currently, Sommers sits on the Board of Directors of CultureWorks, Inc. in Richmond, and sits on various committees at the University and public communities. Previously Sommers has sat on several boards and committees, including the United Nations Development Fund for Women USA-Connecticut Chapter, Fairfield Arts Council, and Connecticut Dance Alliance. Other experiences include working as a legal intern at Pace Investors Rights Clinic, Westchester Human Rights Commission, and Pro Bono Legal Partnership, which serves the legal needs of nonprofits.



Friday, September 14, 2012

Glass Reflections

Tim Munro, the flutist with Grammy-winning ensemble eighth blackbird, will introduce the film Glass: A portrait of Philip in Twelve Parts at the Modlin Center on Sunday, September 16 at 3pm. In this short blog post, Tim offers memories of Glass's sometimes surprising appearances in his life.
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Picture me as a tall, gawky 15-year-old, on family vacation. There is a patch of open road near Barcaldine, in the famous "red center" of Australia. A truck (a "ute") bumps and lists along the corrugated dirt track. I brace myself on the exposed tray. A much-loved, tape-patched Walkman is hugged tight to my chest, piping raw, rude, stark, repetitive music into my ears. The truck's rough housing makes a racket, and I'm holding on for dear life, yet my attention is focused solely on the pulsating music in my ears. My eyes are closed.  Philip Glass has me in his thrall...

Fast forward ten years. I've plucked up the courage to perform Philip's music in public for the first time. Music in Fifths is a simple-sounding, constant, steady, fast stream of notes for ten minutes. But it's got me beat. I'm unprepared for the concentration and focus required to rehearse and perform this unrelenting music. I complain to friends, exasperated. "But it's just so bloody impossible. If I think about a post-rehearsal beer, I'm lost; If a drop of sweat drips into my eye, I'm lost; if I breathe for too long, I'm lost. My embouchure trembles, my body is soaked in sweat. This is musical torture!"

Fast forward another two years. eighth blackbird, my ensemble, is performing with Philip for the first time. During rehearsal I'm regressing, full of the tongue-tied gawkiness of that 15-year-old in the bumpy outback. In contrast, Philip is sweet, engaged, complimentary. He asks us how long our version of his piece Music in Similar Motion is, and when we tell him it's eleven minutes, he says, with a wry smile, "Well, then this rehearsal should take exactly eleven minutes!"

Growing up, my brother and I fought about music. I was the classical geek, walking down the street with a Mahler score in one hand and a conducting baton in the other. My brother was a Bob Dylan obsessed folk-rock fan-boy, who claimed that classical music was "all head and no heart." Our fights were bitter, personal. While other mothers worried that their kids were doing drugs or having sex, our mother was defusing brawls about the relative superiority of Ligeti and Beck. The Venn diagram of our musical tastes, however, crossed for just one composer: Philip Glass. In fact, I think it is fair to say that Philip's music has, over time, brought Simon and me to a place where a peace accord could be drafted. Philip was our musical diplomat... – Tim Munro

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The Philip Glass Festival begins Sunday, September 16 at 3pm in Camp Concert Hall with the film Glass: A Portrait of Philip in Twelve Parts, and will continue through October 5.  The festival will include films, lectures, a ModlinArts Artist Voices Series presentation with Philip Glass and Philip Glass and Tim Fain in concert. Visit modlin.richmond.edu for a full schedule of events. 

About Tim Munro
Born in Brisbane, Australia, Tim studied flute at Oberlin College, Queensland Conservatorium (Australia) and Australian National Academy of Music. His teachers included Michel Debost, Margaret Crawford and Patrick Nolan.

Tim has played with professional orchestras, chamber groups and new music ensembles around Australia. Highlights include concerto performances with the Queensland Orchestra, solo performances at the Melbourne Arts Festival and Bangalow Festival, and recordings for Australian radio and commercial CD release. He also participated in the Carnegie Hall Training Workshops and the Pacific Music Festival.
Composers he has worked with include Elliott Carter, Oliver Knussen, Aaron Jay Kernis, Joseph Schwantner, Tania Leon, Peter Sculthorpe and Brett Dean.

A classical music tragic, Tim likes to write and speak about music, and in an earlier life was Publications Coordinator of the Tasmanian Symphony

Tuesday, July 24, 2012

New Season, New Blog

Over the past few season, you may have notices some changes at the Modlin Center for the Arts at the University of Richmond.  New faces, some new programming, new look to the brochure, new box office ticketing system, new, new, new.  And now we introduce our new season.  While the Modlin Center has gone through some changes, the arts offerings are stronger than ever.  From Del McCoury to the Mark Morris Dance Group.  From the Ebène quartet to Dr. John and the Blind Boys of Alabama.  From Philip Glass to the National Circus of the People's Republic of China, Direct from Beijing.  And we can't leave out the stellar productions offered by the Department of Theatre and Dance, the free concert series offered by the Department of Music, and the stunning visual art displays provided by the University Museums.  Even as some things change, other things never will.  The Modlin Center is committed to bringing some of the world's top talent to the intimate stages in our venues, and to connect the University and the Richmond community to these artists in an unprecedented way.  So...welcome to the new blog, the new staff, the new technology, the new season, and the same ol' world-class arts.

Check out the 2012-2013 brochure here.  Visit us online at modlin.richmond.edu