
Of the many things we do at Modlin, the activity of which I am most proud is our commitment to the commissioning of new work. As a university presenter, I feel that we have an moral obligation to be certain that new work is created, developed and performed. It is the most important work we do to further the performing arts forms.
One of the most exciting projects Modlin has ever undertaken in is the commission of a new string quartet by Krzysztof Penderecki. The quartet, written for our former ensemble in residence the Shanghai Quartet, is co-commissioned by the Modlin Center for the Arts and Montclair State University in New Jersey. The piece had it's world premiere in Maestro Penderecki's native country of Poland and will have its Virginia premiere Sunday, February 22, 2009 at the Modlin Center.
In anticipation of this remarkable performance, I thought you'd enjoy reading an email Nick Tzavaras, the quartet's cellist sent to me after the work premiered in Warsaw earlier this month.
"Dear Kathy,
Last week we premiered the Penderecki Quartet in Warsaw. It is an outstanding piece and was extremely well received. Both the public and the press seemed to think this work will become a major part of the quartet literature and perhaps be considered one of his greatest chamber works.
The piece is about 15 minutes long and is in one movement with defined sections within it. Starting with an almost grave intro, it heads directly to a driven Vivace in G Minor which surfaces through the entire piece. Soon a beautiful Waltz surfaces, followed by a poignant
notturno, then back to the Vivace pattern which Penderecki wanted faster, faster." By the end we could barely play all the notes in the new furious tempo. At the end a spectacular gypsy melody surfaces, one that hasn't been heard in his writing as of yet. We asked Penderecki about it and he told us that it is a melody that his father used to play on his violin, perhaps a Romanian melody he thought. At the climax all of these themes surface and collide in a
powerful moment that is quite remarkable. The end, like most of his works these days, is soft, almost walking away into the distance, with harmonics echoing the gypsy melody at the very end.
We think Penderecki wrote a masterpiece and, though we got it in its complete form just days before our first performance, we are extremely happy with the work. I think audiences here will truly appreciate it. Penderecki did ask quite a lot about the american premieres, and I think he is looking forward to the next set of performances. The director of Schott (his music publisher) was also at the premiere and was ecstatic with the work.
Thanks again Kathy for making this commission a reality. I think the work will be a major part of the chamber music literature for centuries to come and we thank the Modlin Center and the University of Richmond for making this project possible.
Cheers,
Nick"
You can really hear the excitement in Nick's voice and I hope you are planning to join me and the Shanghai Quartet for this history-making performance.
We think Penderecki wrote a masterpiece and, though we got it in its complete form just days before our first performance, we are extremely happy with the work. I think audiences here will truly appreciate it. Penderecki did ask quite a lot about the american premieres, and I think he is looking forward to the next set of performances. The director of Schott (his music publisher) was also at the premiere and was ecstatic with the work.
Thanks again Kathy for making this commission a reality. I think the work will be a major part of the chamber music literature for centuries to come and we thank the Modlin Center and the University of Richmond for making this project possible.
Cheers,
Nick"
You can really hear the excitement in Nick's voice and I hope you are planning to join me and the Shanghai Quartet for this history-making performance.
Happy holidays,
kp

